1.10.2010

2009...and the beginning of a whole new decade

So, can you believe it? 2009 flew by and not only that, the whole decade is over. The first decade of a new millenium/century. I still remember (well, kinda) when it all began in 2000. The crisis revolving around the fear that the world was gonna end and all that. To be honest I was too young to remember that, but I do remember the whole fuzz made about the "millenium" deal. Either way, it's 10 years full of fantastic films. And with fantastic films come fantastic directing achievements, writing, technical accomplishements and obviously...performances. I'm gonna try to do those as short as I can, and I think it could help you get a little glimpse more related to my taste.
That's not all that's coming, yeah, I've just finished the Star Awards 2008 and I already want to begin with the ones related to 2009. That way I can rapidly get back on track. Man, I'm still missing so many films from 2009 I want to see before starting the awards (most notably critical darlings Up in the Air and The Hurt Locker) but I've already seen over 50, and I have some favorites that I doubt are gonna be replaced or pushed down in the list. Most likely I'll be 95% done by February with a little over 70 films seen from the year.

But wait, that's not all! We have Awards Season upon us, you know me, I looooove awards season. It's entertaining as hell, even if we all know they're far from actually rewarding "the best". 30% is quality and the rest has to do with your campaign, your personality, your career, your 'name', the buzz and momentum, etc. But, there're always those rare cases where it seems quality trumps all. This year we might have one with comedy girl Mo'Nique (yes the one from Phat Girls) coming from nowhere to take the awards by storm. We also have a few films that seem to be getting recognition mostly on their own achievement, and as always, the works and projects that were sadly forgotten.

But what about you? What films so far have been your favorites? Your favorite movies from the whole decade? Actors that stood out these past yen years? Directors? Oh! Have you heard about the little film called Avatar, Cameron's baby which is already the second highest grossing film of all-time. Or have you seen Wes Anderson's animated gem Fantastic Mr. Fox? Or what about suggestions, little movies you liked I could have completely forgotten about or not heard of? Yeah it's quite possible, I'm only human.

For the year what have I seen that I liked or didn't like, check them out and make your own opinion!
  • (500) Days of Summer: This little gem is a wonderful tale about love. (yes about love, not a love story)
  • Avatar: An exciting, thrilling and completely involving adventure. No one (absolutely no one) makes them like James Cameron.
  • An Education: A small critical darling that teaches about life and its values. With an outstading cast, especially Oscar favorite Carey Mulligan.
  • Precious: Based on the novel Push by Sapphire: A heartreaking and hurtful story about fighting through life. First film in a couple years to almost snag a tear from me.
  • A Serious Man: One of the Coens finest. All the answers lay in this "simple" story about religion.
  • Up: It's Pixar. Done deal.
  • Fantastic Mr. Fox: It trully is fantastic! Hilarious and touching.
  • In the Loop: An absolutely hilarious comedy/parody about politics and the very contemporary thinking regarding war in Britain and the U.S. Outstanding cast.
  • Away We Go: Sam Mendes goes indie with this travel tale about finding one's place. Leading are the always pleasure to watch John Krasinski (The Office U.S.) and Maya Rudolph.
  • Inglourious Basterds: Quentin Tarantino's critical and audience favorite with an outstanding cast where the Jews are the hunters and the Nazis the hunted.
  • Sin Nombre: A ravishing piece from Mexican film making about inmigration.
  • Coraline: Another great animated film! This comes from the director of The Nightmare Before Christmas and might I say so, even better.
  • Moon: Duncan Jones' astonishing directing debut lead by a one man show from Sam Rockwell.
  • Adam: A cute little story about love, between any person and how it can easily be found and how fragile it is.
  • Julia: Tilda Swinton's jaw dropping one woman show about an alcoholic woman who kidnaps in order to "rearrange" her life.
  • District 9: Peter Jackson's protegeè's debut in which for once the aliens seem weak against the human technology and cruelness.
Those are a few titles that came to mind which I saw recently. Some I liked, other not so much. Coming soon are my Golden Globe and SAG winner predictions along my Oscar predictions + my first "Best of the Decade List", starting with the supporting actors.

1.03.2010

Reviewing the Year: 2008 (Best of the Year!)

LMAO, over 5 months since my last post. I apologize, but even if the year's over (the next one....) I thought it would have been better to finish this than leaving it incomplete. That way, I can also start up with my thought on 2009 and the whole "decade" stuff. Well, here we are...my picks for the final categories.

Best Motion Picture of the Year (my ten fave/*** indicates winner/*indicates top 5)
The Dark Knight
Well directed and put together, I'd be pretty happy if most blockbusters had the decency to at least deliver this type of quality. A gripping story that explodes in the screen making every second of it an extraordinary experience. Even if once you look closer, nothing other than Ledger's Joker (and to an extent Nolan's direction) is really impressive on its own.

Entre les Murs [The Class]*
Beautiful, touching story. Never thought one could actually come up with a film about a classroom and the people inside it and make it so damn interesting.
Gran Torino
That horrible trailer made me think we'd get an usual Eastwood drama with another Dirty Harry from him. I however, was incredibly surprised when, for the first time in years, Eastwood involved me in his (somewhat reidiculous) story creating in the end one of the most affecting and pleasing films of the year.
In Bruges*
Black humor and bloody violence. Heard about it, bought the movie, surprised myself with an absolute delight of a movie. Shame this small piece of work went unnoticed by most. Pretty much the funniest movie of the year with some of the most wittiest and interesting dialogue in a long time, plus some really great acting and an original story. What's not to like?
Rachel Getting Married
One of the most realistic portrayals of familes and the disfunctionalities in them I've seen in quite a while. Sure, many will find it terribly slow but I loved it. An intense character study with a powerhouse performance from Princess Anne Hathaway.
Revolutionary Road*
In a true showstopping acting spectacle, Jack & Rose reunited for this emotional rollercoaster that left me cold and speechless. My honorable mention as "silver medal" for the year's best work.
Slumdog Millionaire
The movie of the year. It's not hard at all to see how easily could people fall in love with it and how it went from such a small production to one of the year's biggest hits (critically and with audiences). An exciting love story, presented in an exciting way through flashbacks, with exciting linked stories and exciting characters, a more than exciting soundtrack presented in an exciting way. Yup, I'm perfectly happy with this winning Best Picture of the Year from the Academy of Motion Pictures.
***WALLE***
Pixar's masterpiece, simple as that, and believe me that's saying something. The geniuses of geniuses this decade topped themselves in an unbelievable way combining comedy, love, drama and adventure in this unique gem that will surely go down as one of the animated masterpieces from the past 30 years. The year's best movie by quite a margin, saw it in early June, nothing really came close to taking its crown away.
The Wreslter*
Not a fan of Aronofsky's previous works but this...wow, his masterpiece that won't easily be topped. A true display of mastery filmmaking, beautiful characters, beautiful story, becautifully put together into one heck of an emotional ride guided by Rourke's superb fallen hero.
Vals Im Bashir [Waltz With Bashir]
Ahhh...can't say anything I didn't say in my other description. Perfect demonstration of animation more of a media rather than a genre.

Missing the cut just barely from the year were, both equally as good as several mentions here:
Happy-Go-Lucky
Nothing but the Truth

Those were my 10 (or 12) favorite films of 2008, what about yours? Now, on to the best performances:

Best Performance by an Actress in a Leading Role
Sally Hawkins as Poppy in Happy-Go-Lucky
It's her movie, and well she's the main reason why it's so good. An uplifting (annoying to many) positive, incredibly complex and layered piece of work that gives impressive jumps from her golden comedy moments to some really dramatic ones. We should all learn from Poppy's view on life.
BONUS: The final car scene and her line delivery=perfect, every time.
Anne Hathaway as Kym in Rachel Getting Married
Who ever knew she had it in her? Hathaway delivers Kym, an ex-drug addict still haunted by her terrible past, her acts and the consequences of them. A character dead emotionally that walks with the shadow of her acts in every new decision. A close second place.
Melissa Leo as Ray Eddie in Frozen River
A heartbreaking, disfuncional woman takes over Leo's mind, body and soul. A magnificent creation. Why isn't she working more often?!
Kate Winslet as Hanna Schmitz in The Reader
Different from her comfort zone, Winslet stepped out of her "average" dramatic zone and gives this downright chilling portrayal as a cold blooded murder. Mysterious, lovable, pathetic, compassionate and horrible. As Schimtz, with a perfect accent, Winslet steps out and goes all the way to create probably the most complex character of all my 20 acting nominees. One of her finest, and a very deserving work for her to finally get an Oscar.
BONUS: "the"
***Kate Winslet as April Wheeler in Revolutionary Road***
Amazing. Winslet proves herself once again as the top notch actress of her generation in this riveting and mature work. April Wheeler, a woman haunted by the empty hopelessness of her life, that often gives jumps between sane and crazy, frustrated at the life she's come to live with, her husband and her children, and the failure of her dream career. Heartbreaking to the point of being unberable.
BONUS: Final telephone scene, the best single acted scene of the year.



Close to the Cut
Kate Beckinsale in Nothing but the Truth
The surprise of the year. Powerful and engaging as a dedicated reporter that goes "against" the goverment.
A mother, a wife and a woman with a career.
BONUS: She really proved she has the skills, also great in Snow Angels.
Krtistin Scott-Thomas in Il yes a Longtemps que Je t'Aime [I've Loved You So Long]
Touching, subtle and restrained. Scott-Thomas walks around the streets and the house as a woman that's come out of jail to rebuild her life. Prolbem is, her soul is gone. Harsh and unlikeable character that Thomas handles delicately.

Honorable Mentions (ranked-oh and might I add, really fantastic year for the category)
Rosemarie DeWitt as Rachel, the cheerful but harsh sister to Kym (and character of the title) in Rachel Getting Married.
Meryl Steeep's deliciously over the top suspicious nun in Doubt.
Lina Leandersson's vampire in love in Lat Dan Rattën Komma In [Let the Right One In]
Penelope Cruz as the sexy love conquest in Elegy
Michelle Williams' carries in such a fantastic way her one woman show in Wendy & Lucy
Cate Blanchett, for being the saving grace of the film and lifting up the whole thing whenever she was on in The Curious Case of Benjamin Button
*Maybe too many, but like I said, a great year, and all these ladies were fantastic, and I still left out others I also liked a lot.

Best Achivement in Directing
Danny Boyle for Slumdog Millionaire
Everything about the movie is good, but the reason why it's such an enjoyable ride is because of Boyle and his expertise. The man behindTrainspotting goes in a unique way with his vision for putting together the past, present, and future in an interesting combination of genres. The star of this show.
Ari Folman for Vals Im Bashir [Waltz With Bashir]
The man behind and in front of the camera shares with us his unique experience. The creative mind behind this beautiful show.
Martin McDonaugh for In Bruges
Can you actually believe it's his debut? In a genuine mix of drama and comedy, McDonaugh gives us one of the mot enjoyable rides of the year
Christopher Nolan for The Dark Knight
80% of why the film is what is was is due to Nolan. He creatively shows his ability to control whatever goes on screen and making this 2:30 hour long a complete eye feast and thrilling experience.
***Andrew Staunton for WALL•E***
This living genius created the year's best film. Letting the film, story and visuals flow naturally. For making us care about 2 little robots that can't speak and making them real life human beings. For taking us through a wonderful adventure around the universe. For teaching us a valuable lesson about nature. For making this as enjoyable for children as it is for adults. For this and many other reasons, the year's best directing achievement.

Honorable Mentions (ranked)
Darren Aronofsky, The Wrestler
Sam Mendes, Revolutionary Road
Laurent Clantent, Entre les Murs [The Class]
Jonathan Demme, Rachel Getting Married

Best Performance by an Actor in a Leading Role
Leonardo DiCaprio as Frank Wheeler in Revolutionary Road
One of his most mature works. DiCaprio continues to show his growth as an actor. As the coward, weak, noncomformist and dreamer Frank Wheeler.
BONUS: The final fight with April=the best acted scene in his whole career. "Fck you, April!!!"
Colin Farrell as Ray in In Bruges
As the hitman, Farrell (I'm surprised as much as you are) knocks it out of the park. In a sensible, hilarious and great characterization, Farrell delivers his punch lines making them comedy gold. He's one of the few hit men you can actually believe happens to exist out there. Magic.
Ben Kingsley as David Kepesh in Elegy
Pushing the boundaries once again, Kingsley delivers one of his finest work in years. As the middle aged man, full of vice and lust.
Frank Langella as Richard Nixon in Frost/Nixon
Creating a walking human caricature that guides the whole film until finally, in those last scenes becoming for a few seconds a really terryfying and dramatic character, the highlight of the film. "Thiiiis guys was president?". Totally erases "Frost" Sheen from screen, should change the title to Nixon only.
BONUS: "It's not illegal when the president does it!"
***Mickey Rourke as Randy "The Ram" Robinson in The Wrestler***
The work worth a lifetime. He was born to play this. As Randy, Rourke fully immerses himself into the character. You don't see acting, you don't see Rourke, you see Randy, come to live. As much as he tries, I doubt he'll ever reach this brilliance again. A lifetime event full of soul, heart and passion. Sorry Mr. Penn, but that Oscar was his.


Close to the Cut
Sean Penn as Harvey Milk in Milk
His most natural work to date. I agree with DeNiro "How for so many years did Sean Penn get all those jobs playing straight men?". One of his best.
Sam Rockwell as Glen Marchand in Snow Angels
The best work of his short but already impressive career.

Honorable Mentions (ranked)
Brendan Gleeson was the perfect opposite to Ray's extravaganza for balance in In Bruges.
Richard Jenkins in his career best work in The Visitor.
Javier Bardem at the center of the love triangle in Vicky Cristina Barcelona.
Phillip Seymour Hoffman as the aging artist in Synecdoche, New York

Last but not least, the top 5 performance of the year, from all categories...and the best performance of the year!
Leonardo DiCaprio, Revolutionary Road
Anne Hathaway, Rachel Getting Married
Heath Ledger, The Dark Knight
Mickey Rourke, The Wrestler
***Kate Winslet, Revolutionary Road***

Let's keep going, now....the writing.

Best Original Screenplay
***Happy-Go-Lucky***
In Bruges
Rachel Getting Married
WALL•E
The Wrestler

Honorable Mentions:
Burn After Reading
Vicky Cristina Barcelona
Synecdoche, New York
Nothing but the Truth

Best Adapted Screenplay
Entre les Murs [The Class]
Lat Dan Rattën Komma In [Let the Right One In]
The Reader
Revolutionary Road***
Slumdog Millionaire

Honorable Mentions:
The Dark Knight
Snow Angels
Doubt
Frost/Nixon

Other categories that we're missing:

Best Vissual Effects
***The Curious Case of Benjamin Button***
The Dark Knight
Hellboy 2: The Golden Army
Iron Man
Speed Racer

Best Makeup
***The Curious Case of Benjamin Button***
The Dark Knight
Hellboy 2: The Golden Army
Synecdoche, New York
The Wrestler

Breakthrough of the Year-What does the future hold for these new young talents?
Sally Hawkins [leading lady of Happy-Go-Lucky]***
with that performance already under the belt, I'm anxious to see what she does next. Not really a breakthrough, she had small roles in films such as Vera Drake, this just finally got her to the spotlight, did I already say how much I loved her Poppy?)
David Kross [the young interest of Winslet in The Reader]
Lina Leandersson [terrifying leading lady of Let the Right One In]
Dev Patel [leading man of Slumdog Millionaire]
Brandon Walters [little boy who stole the movie in Australia]

And to close, the WORST of the year, only winners:
  • Worst Film: 10,000 B.C. [God...I can't even begin to describe this disaster, it's not even mildly entertaining]
  • Worst Actor: None [Thank God I didn't see nearly enough bad movies to choose this. Maybe I could have gone with Pattison inTwilight who seemed as bored as Stewart, but he didn't have a cringe worthy moment. Christian Bale's comedic gold in The Dark Knight also came up in my mind though.]
  • Worst Actress: Kristen Stewart in Twilight [I have nothing against Twilight, but God, she seemed so bored and that last hospital scene? LOL]
  • Worst Supporting Actor: Pierce Brosnan in Mamma Mia! [Not so much the performance, but really, this has to be the worst casting pick of the past few years. Couldn't they have at least gone with someone who could sing?]
  • Worst Supporting Actress: None [Yay! I cannot think of a single performance I could include here. That's good, isn't it?]
  • Worst Directing: Phyllida Lloyd, Mamma Mia! [The movie is what it is, but the amateurness of the directing is written all along with some wacky "hey!!! it's a movie not the live stage" picks. Sorry, stick to the theatre. Or at least let the theatre be the theatre and the films be films]
Aaaaaaand that's it folks. :D Your own picks? Finally can get on to 2009, and that year just finished. But given how in my location it's not as easy to get to all the films I want to see in time, the Star Awards 09 should be ready in February or March. Still, Oscar race is on and I'll start posting more reviews. Did anyone catch the so called revolution of filmmaking Avatar? Or what about Tarantino's new baby? Or Disney's return to the typical hand-drawn animation, musicals and princess fairy tales?

*Oh and just in case anyone cares, the tally of biggest winners and nominees (only top5 mentions, Honorable Mentions and such don't count) from the Star Awards 08!
  • WALL•E.- 10 noms/6 wins
  • Revolutionary Road.- 8 noms/3 wins
  • The Dark Knight.- 8 noms/1 wins
  • Slumdog Millionaire.- 8 noms/1 wins
  • The Wrestler.- 6 noms/1 wins
  • In Bruges.- 5 noms/0 wins [most nomination without a single win! :( It actually was my close second for Original Screenplay, and Farrell and Fiennes are both my #3]
  • Synecdoche, New York.- 4 noms/1 wins [most nominated film without a "favorite of the year" mention]
That's all!

7.21.2009

Reviewing the Year: 2008 (Costumes, Film Scores and Song, Editing)

What do these 4 have in common? That they're probably my favorite 4 technicals (well, I also wanted to have Cinematography here, the other one I love, although, probably more than Costumes or Editing). Why costumes? Unlike the Academy, my mind doesn't think "the bigger and flashier the better", but how the way we dress is an extremely subtle way of letting others know our own personality. Whether it is by using flashy "look at me" dresses, or simple "I don't care what you think of me" clothes. And well, we should see these in the costumes of each character, even if they are supposed to be set 300 years ago in dazzling France, or simply...New York streets.
As for film music, I've provided links in both categories for you to enjoy those I considered this year's best, I invite you all to click (on the name of the movie) on them and listen. :D
Anyways, let's see:

Best Costume Design
Australia by Cahterine Martin
Yes, besides the sets, she's in charge of the costumes, and well, there's nothing more to say just that like in Moulin Rouge! and the sets, she did an extraordinary and beautiful job. That sexy red dress of Nicole?.
The Fall by Eiko Ishioka
The most bizzare aspect of the whole movie, weird and tacky, a wondrous globe that fit the hand perfectly.
Milk by Danny Glicker***
Colorful, charming, and fit. There's no other way to put it than just: perfect. The true definition of what costume designing its about.
Revolutionary Road by Albert Woltsky
The simple closet of an average couple in the 50s. What else did we want?
Sex and the City by Patricia Field
These girls really wanted everyone in the street to turn around an look at them. They're flashy, ugly, out of the ordinary, and chickie fits for "older" women.

Honorable Mentions
The Curious Case of Benjamin Button
The Duchess
The Reader
Mamma Mia!


Best Film Score (with samples!)
Probably one of the most brilliant scores Mr. Zimmer has ever thought of. While we already know Newton Howard is an ace when it comes to scoring action film, this time, combined with those creepy eerie sounds, it introduces the perfect mood to the whole film..
Danny Elfman has done it again! Another hit to his resume, this time they're the beautiful sounds of hope and freedom combined in one.
Probably the most creative of the whole year, Rahman takes a different route and establishes an intense combination of sounds and score that compose this film's music, very different if we are in the troubled cities of Inidia or just about to meet with our loved one.
Like everything in the movie, subtle, yet haunting. A bit repetitive, which is what prevented it from taking the win in my list.
A beautifully touching piano, combined with some extravagant noises, or maybe a thrilling piece taking us into adventure. Crucial, since our characters rarely speak, but an incredible creation by Mr. Newman. A winner in this category, loud and clear.

Honorable Mentions (ranked)
Frost/Nixon
The Wrestler


Best Original Song
"Down to Earth" from WALLE, by Peter Gabriel and Thomas Newman
"I Want it All" from High School Musical 3: Senior Year, by Matthew Gerrard and Robbie Newil
"Jai Ho" from Slumdog Millionaire, by A.R. Rahman and Gulzar
"Little Person" from Synecdoche, New York, by Charlie Kaufman and Jon Brion
"The Wrestler" from The Wrestler, by Bruce Sprinsteen***

Honorable Mentions
"Rock Me Sexy Jesus" from Hamlet 2, by Ralph Stall, Andrew Fleming and Pam Brady
"I Thought I Lost You" from Bolt, by Miley Cyrus and Jeffrey Steele
"Another Way to Die" from Quantum of Solace, by Jack White
"A Night to Remember" from High School Musical 3: Senior Year, by Matthew Gerrard and Robbie Newil
"By the Boab Tree" from Australia, by Baz Luhrmann and Angela Little
"The Call" from The Chronicles of Narnia: Prince Caspian, by Regina Spektor


Best Film Editing
The Dark Knight by Lee Smith
What every action film needs: adrenaline and impressive action sequences, plus some very exhilirating moments.
Entre les Murs by Robin Campillo
Never losing the audience's focus and adding tension, a realistic flavor and drama to it, despite having a very simple setting.
Frost/Nixon by Mike Hill, Daniel P. Hanley
A relatively simple story turns a complicated and interesting turn thanks to it.
Slumdog Millionaire by Chris Dickens***
Perfectly combining that incredible score and cinematography into one exciting ride, with some tear jerker moments here or there. An agile combination of flashbacks, a TV Show and a present love story, keeping the audience on the verge of their seats.
WALL•E by Stephen Schaffer
Never becomes boring, and effectively paced together, even when we are seeing the story from 4 points of view.

Honorable Mentions
Milk
Burn After Reading
Synecdoche, New York
The Curious Case of Benjamin Button

Thoughts??? Your own?

NEXT: WORST of the year + Visual Effects, Makeup and Breakthrough Award